{"id":12406,"date":"2019-10-11T22:03:28","date_gmt":"2019-10-11T20:03:28","guid":{"rendered":"https:\/\/www.centrobossaglia.it\/?p=12406"},"modified":"2023-02-01T16:09:17","modified_gmt":"2023-02-01T15:09:17","slug":"p-r-i-n-2010-2011-2","status":"publish","type":"post","link":"https:\/\/centrobossaglia.it\/en\/p-r-i-n-2010-2011-2\/","title":{"rendered":"P.R.I.N. 2010-2011"},"content":{"rendered":"\r\n

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The profane painting from Baroque Age to Neoclassic Age in Northern Italy, with particular attention to the presence of Veneto and Venetian painters.<\/em><\/p>\r\n\r\n\r\n\r\n

The research group tasks were to arrange a detailed and documented atlas of the profane decoration present in the Lombard territories, specifically the area that corresponds to the actual Brescia municipality, with attention to the presence of Veneto artists. For the selected time lapse, which is from Baroque to Neoclassicism, it had been possible to create a useful series of confronts in the ambit not only of artistic personalities, but also of iconographic choices, of commitment orientations and specific themes spread. The individuation, the documentary images collection, the analysis and filing of decoration apparatus with profane themes of in the selected areas are basis for the creation of an atlas that mainly comprehends pictorial frescoes testimonies, without excluding canvas, stucco decorations and sculptures.<\/em><\/p>\r\n\r\n\r\n\r\n

\u00a0The pictorial and decorative production for Lombard commitment spreads out during a wide range of choices between Classicism (from Bolognese and Roman models), rococo (looking, from time to time, to Venice and Veneto, to France and beyond the Alps) and Neoclassicism. The final aim is the publication of a volume about Brescia buildings, whereas it\u2019s already available on this <\/em>\u00a0site<\/strong><\/a> the database about the great decoration with profane themes realized in Baroque, Rococo, and Neoclassical ages, that allows to conduct researches about iconographical choices, commitment orientations and specific themes spread.<\/p>\r\n\r\n\r\n\r\n

The idea of creating a catalogue, full of images coming from photographic campaign, was born inside the PRIN 2010-2011 (National coordinator prof. Giuseppe Pavanello, University of Trieste).<\/p>\r\n\r\n\r\n\r\n

The first work phase has focused on a selection of Brescia buildings and villas; it will follow an upgrade about Veronese buildings in collaboration with University of Padua.<\/p>\r\n\r\n\r\n\r\n

Involved Universities:<\/p>\r\n\r\n\r\n\r\n

University of Trieste P.I.<\/p>\r\n\r\n\r\n\r\n

University of Bergamo<\/p>\r\n\r\n\r\n\r\n

University of Padua<\/p>\r\n\r\n\r\n\r\n

University of Parma<\/p>\r\n\r\n\r\n\r\n

University of Udine<\/p>\r\n\r\n\r\n\r\n

University of Verona<\/p>\r\n\r\n\r\n\r\n

University IULM of Milan<\/p>\r\n\r\n\r\n\r\n

Results of the research:<\/p>\r\n\r\n\r\n\r\n